This winter is kicking ass! We have been getting so much snow, it's just awesome. I have to admit that I got caught up in being a bit down last week, but now I see that it was just the flu attacking my morale. Because today I'm psyched! The sidewalk in front of my house is a windy snow trail and you have to climb up over big banks to get to the intersection. I cross a small park diagonally on my way to work and yesterday on the way home, I noticed these boards lying flat in the snow. Upon closer inspection, I realized they were the tops of the park's picnic tables!
So officially, we are at 317 cm total for this winter. The record in Montreal is 383 cm in 1970-71. I just read that generally about 25% of the snow falls in March, so we have a good chance of breaking the record. I'm keeping my fingers crossed! Last week was a huge boost as we had a big storm of 25 cm on Wednesday and then another one right after it on the weekend that dropped 35 cm easy. It was most excellent.
So the news now is about the increase of snow rage in the province. Some guy outside Quebec city went into his house and got a rifle to threaten a neighbour who was blowing snow into his yard. And yesterday two dudes in Montreal got into an altercation over a parking spot. One guy pulled out a gun. The cops came. Turned out the gun was fake, but fake or real, the crime is the same here so he got collared. Awesome. The quotes from the authorities say that these kinds of things tend to happen but that they are on the increase because everyone is so fed up with the quantity and duration.
What they fail to mention is the real reason for all the anger and frustration. Cars. Every single problem with the snow, every ounce of frustration is because people can't easily get into their precious cars and easily push the buttons that take them to where they have to go. For people who don't drive, the snow is a minor hassle at worse and generally a good thing. A few minutes of shoveling out your walkway and sweeping your stairs compared to all the losers on the block spending hours digging out their cars on Sunday night so they can drive to work. To get a car out takes way more work than clearing a driveway or walkway because there is so much detail work to do.
The municipalities are all way past their budget for snow removal for the year. The Cols Bleus' union has granted them the right to work double their normal shifts, but we are already seeing accidents due to exhaustion. A woman pedestrian was killed the other night by a dump truck making an illegal left on a red. All this effort? So the cars can drive.
I did see one ray of hope in the news media. Almost all of the coverage is about the problems and how fed up everyone is. Happened to catch an on-the-street interview with a guy from Charlottetown (are the Maritimers the last true Canadians?) who was shovelling his driveway. He said "I'm really enjoying it actually. After you get warmed up, you get kind of exhilarated. You look back and see how much you've cleared and you really get a sense of accomplishment. We're Canadian, right? This is what we should be doing!" Hell yes! That's the spirit!
Bring it on, weather gods. My shovel is ready!
Wednesday, March 12, 2008
Tuesday, March 11, 2008
Luge contre Diable (sled vs. handtruck)
Just an update to let everyone know that the hand-powered move is complete. I can no longer call it carbon neutral, though, as I hired a truck and some guys to do all the big stuff. There really were some things that I could not have done on my own. They took 3 hours, cost $250 and did a kickass job. If anybody in Montreal needs a recommendation for a good mover, and one that you can book with a phone call and not a lot of bullshit (some of the bigger moving companies are very bureaucratic), let me know and I'll give you his phone number. I was very happy with the work and I am a very picky mover.
Still, the hand-hauling was a lot of work. To summarize for those who may not have read my previous post on this move, we moved one block north and I attempted (and mostly succeeded) to do the job with a handtruck. I got two good snowstorms during the weeks of back and forth. I had to do a lot of rolling in the street where the car tracks had made flat trails through the snow. But when I went to clear out our little storage space in the basement, I found our sled. It's a cheap plastic job, big enough for two people and it turns out to be perfect for hauling boxes and furniture in the snow. I was able to get close to 400 lbs on that thing and when the snow was good it was quite easy to drag. It was always a little hairy crossing Mont-Royal (the single street I had to cross, but a busy one), because that was sometimes down to the tar and I was worried about spilling everything on some of the more precarious loads.
Overall, the sled really kicked ass. A very impressive tool for hauling stuff over snow-covered terrain. The diable was still not bad, but it is much more limited to the shape of things you can carry. The sled can take a wider range of weird shaped items. I recommend having both for your next winter hand-move.
Still, the hand-hauling was a lot of work. To summarize for those who may not have read my previous post on this move, we moved one block north and I attempted (and mostly succeeded) to do the job with a handtruck. I got two good snowstorms during the weeks of back and forth. I had to do a lot of rolling in the street where the car tracks had made flat trails through the snow. But when I went to clear out our little storage space in the basement, I found our sled. It's a cheap plastic job, big enough for two people and it turns out to be perfect for hauling boxes and furniture in the snow. I was able to get close to 400 lbs on that thing and when the snow was good it was quite easy to drag. It was always a little hairy crossing Mont-Royal (the single street I had to cross, but a busy one), because that was sometimes down to the tar and I was worried about spilling everything on some of the more precarious loads.
Overall, the sled really kicked ass. A very impressive tool for hauling stuff over snow-covered terrain. The diable was still not bad, but it is much more limited to the shape of things you can carry. The sled can take a wider range of weird shaped items. I recommend having both for your next winter hand-move.
Thursday, March 06, 2008
La Nuit Blanche
My god does Montreal rock!
I'm pushing 40 and my days of really going out are getting fewer and farther between, so I haven't really been paying attention to the night life scene as much as I used to. Plus, we were in the middle of moving. But a featured event in The Hour mentioned an organ performance downtown in an anglican church that would feature some improvisations on classic horror themes like The Exorcist, Jaws and Halloween. It ran from 10pm to 3am and I'm familiar with the outside of the church because they just tore down this horrific shopping mall that had been built in front of it to allow passers by to see the beautiful front.
So surrounded by boxes, we decided to go and check out the organ show. Montreal downtown on a Saturday night is usually somewhat busy, but I was taken aback by how many people were out. It was packed! And there was a long stream of people filing into the church. I'm talking like hundreds. It turns out (and everybody in Quebec probably knew this but me) that La Nuit Blanche is a major party and it has gotten bigger and bigger. There are all kinds of performances, all the art galleries are open until 5 am and free and just general partying. It was fantastic. The organ show was really cool, but we also checked out the Musée d'Art Contemporaine, the Belgo building and a really amazing installation in the hallway of the Place Des Arts, basically the fuddy-duddy tour. We skipped all the dance clubs and dj shows and got home before 3. But it was really cool to be checking out the museum at 2 in the morning with a huge crowd and drinks.
Some details:
The Organ Show


The organ show was called Orgue et Couleurs and it took place in the St. James United Church right downtown on St. Catherines. It's just a beautiful building, with a curved balcony and pews that match the curves. It also has these crazy hanging arches (I don't know the architectural term) that look impossible, but I suspect play a crucial support role. It lacks the detail and iconography that dominates the catholic churchs in Quebec and I sort of preferred that (most of my church time as a youth took place in an anglican chapel).
The show was awesome! The organ really gets me in a hynotic state. I felt like I was capable of turning around and insanely strangling the person to my left (who happened to be my girlfriend so thank goodness 39 years of social conditioning held me in check). The horror movie themes were improvisations, so they would start off with the theme and then go off into all kinds of crazy directions. It must be a very specific path in life to become a master organist and it must be a weird existence, controlling such a clearly satanic instrument (and being a little insane yourself) while always doing it in holy places. I watched the entire performance of Mélanie Barney who did Jaws and Psycho (the great Bernard Herrmann). But what really kicked ass was her rendition of Bach's Toccata and Fugue in Ré mineur (I think that means R minor, I have no idea). That's the classic horror movie sound (you know when you see the castle on the hill in lightning silhouette) but it was the really Bachian parts where there is such a complex rhythm and interchanging of melodies that blew my mind. I'd definitely pay to see her perform. My only regret was that I didn't get to hear Halloween.
The Belgo
This is a large, old industrial building right downtown that is filled with art galleries from top to bottom. It's fun for a visit because you can just pop into one art gallery after another and often see some engaging stuff. But on the night of Nuit Blanche, this place was clearly young hipster artist scene central. It made Mile End look like a quaint old portuguese neighborhood and brought out the fascist in me (when I see all those kids running around in their little outfits and scarves, forced public service Mao-style starts to seem like a very good idea to me). We saw something that was cool, which I can't remember, and we got out fast. Some guy was writing bad poetry on the wall with chocolate sauce.
Musée d'Art Contemporain

This place is a favorite of ours anyways. They had a dj at the central point between the galleries on the 2nd floor with dry ice making a cool atmosphere. There was a québécois artist who did amazing things with antique chairs. There was a tape boundary around the giant round chair that everyone was ignoring. You just had to lean over to see inside and the poor, beleagured security guard who had to keep asking people to "respetez les lignes, s'il vous plait!" must have had the worst Nuit Blanche of anyone. There also was a really cool world of tiny cut out pictures from magazines, really large and detailed. I bumped into the tallest tower (like 11') and it wobbled and almost fell! It would have been a serious disaster. Man, that was a close one. My girlfriend saw me come out from behind it, looking guiltily and nervously at it as it wobbled back and forth and knew immediately that it was my clumsy ass that had bumped it.
Place des Arts, Hall des Pas Perdus

Finally, in the extensive guidebook, I saw this piece which intrigued me, a sculpture installation in the hallway of the Place des Arts. I'm so glad I made the effort to find it because it was the coolest piece of art I have seen in a long time. It's called All You Can Eat by Karine Giboulo. It's an interlocking series of pillars with windows looking into a little world where little people in jumpsuits live and raise pigs, which are then used in the production of fake chicken foods which are then consumed by these obese squirrels, the whole thing overseen by wealthy people receiving plate loads of cash. It was inspired by her visit to one of those massive factories in China where the workers live. I found it an amazingly detailed little world, where everything is connected. You get lost trying to put it all together and then too late you realize what a powerful message about consumption and our modern industrial capitalist society it is delivering. Absolutely fantastic. She's a local artist and I guess just starting out on her career (she's working on her bachelor's!?). Keep an eye out for Karine Giboulo because she kicks ass.
For those of you who live in Montreal, I strongly recommend you check it out. I heard it was there on Tuesday but I don't know how long it will last. It's in the Place des Arts, just outside the entrance to the concert hall.
One final thought about Montreal
As we came out of the church the first time, I passed a group of young people (probably high school, maybe CEGEP) sharing a bottle of wine. No bag, no effort at hiding it, drinking from the bottle and being a bit party-hardy. There were families all around. It surprised me pleasantly to see that because you would never see that in Vancouver. Not just the choice of libation, but young people drinking publicly without the cops showing up with a righteous attitude. We in the west really need to take a lesson from Quebec. Having fun is good!
I'm putting the rest of the All You Can Eat photos here, but you really do have to see it in person:






I'm pushing 40 and my days of really going out are getting fewer and farther between, so I haven't really been paying attention to the night life scene as much as I used to. Plus, we were in the middle of moving. But a featured event in The Hour mentioned an organ performance downtown in an anglican church that would feature some improvisations on classic horror themes like The Exorcist, Jaws and Halloween. It ran from 10pm to 3am and I'm familiar with the outside of the church because they just tore down this horrific shopping mall that had been built in front of it to allow passers by to see the beautiful front.
So surrounded by boxes, we decided to go and check out the organ show. Montreal downtown on a Saturday night is usually somewhat busy, but I was taken aback by how many people were out. It was packed! And there was a long stream of people filing into the church. I'm talking like hundreds. It turns out (and everybody in Quebec probably knew this but me) that La Nuit Blanche is a major party and it has gotten bigger and bigger. There are all kinds of performances, all the art galleries are open until 5 am and free and just general partying. It was fantastic. The organ show was really cool, but we also checked out the Musée d'Art Contemporaine, the Belgo building and a really amazing installation in the hallway of the Place Des Arts, basically the fuddy-duddy tour. We skipped all the dance clubs and dj shows and got home before 3. But it was really cool to be checking out the museum at 2 in the morning with a huge crowd and drinks.
Some details:
The Organ Show
The organ show was called Orgue et Couleurs and it took place in the St. James United Church right downtown on St. Catherines. It's just a beautiful building, with a curved balcony and pews that match the curves. It also has these crazy hanging arches (I don't know the architectural term) that look impossible, but I suspect play a crucial support role. It lacks the detail and iconography that dominates the catholic churchs in Quebec and I sort of preferred that (most of my church time as a youth took place in an anglican chapel).
The show was awesome! The organ really gets me in a hynotic state. I felt like I was capable of turning around and insanely strangling the person to my left (who happened to be my girlfriend so thank goodness 39 years of social conditioning held me in check). The horror movie themes were improvisations, so they would start off with the theme and then go off into all kinds of crazy directions. It must be a very specific path in life to become a master organist and it must be a weird existence, controlling such a clearly satanic instrument (and being a little insane yourself) while always doing it in holy places. I watched the entire performance of Mélanie Barney who did Jaws and Psycho (the great Bernard Herrmann). But what really kicked ass was her rendition of Bach's Toccata and Fugue in Ré mineur (I think that means R minor, I have no idea). That's the classic horror movie sound (you know when you see the castle on the hill in lightning silhouette) but it was the really Bachian parts where there is such a complex rhythm and interchanging of melodies that blew my mind. I'd definitely pay to see her perform. My only regret was that I didn't get to hear Halloween.
The Belgo
This is a large, old industrial building right downtown that is filled with art galleries from top to bottom. It's fun for a visit because you can just pop into one art gallery after another and often see some engaging stuff. But on the night of Nuit Blanche, this place was clearly young hipster artist scene central. It made Mile End look like a quaint old portuguese neighborhood and brought out the fascist in me (when I see all those kids running around in their little outfits and scarves, forced public service Mao-style starts to seem like a very good idea to me). We saw something that was cool, which I can't remember, and we got out fast. Some guy was writing bad poetry on the wall with chocolate sauce.
Musée d'Art Contemporain
This place is a favorite of ours anyways. They had a dj at the central point between the galleries on the 2nd floor with dry ice making a cool atmosphere. There was a québécois artist who did amazing things with antique chairs. There was a tape boundary around the giant round chair that everyone was ignoring. You just had to lean over to see inside and the poor, beleagured security guard who had to keep asking people to "respetez les lignes, s'il vous plait!" must have had the worst Nuit Blanche of anyone. There also was a really cool world of tiny cut out pictures from magazines, really large and detailed. I bumped into the tallest tower (like 11') and it wobbled and almost fell! It would have been a serious disaster. Man, that was a close one. My girlfriend saw me come out from behind it, looking guiltily and nervously at it as it wobbled back and forth and knew immediately that it was my clumsy ass that had bumped it.
Place des Arts, Hall des Pas Perdus
Finally, in the extensive guidebook, I saw this piece which intrigued me, a sculpture installation in the hallway of the Place des Arts. I'm so glad I made the effort to find it because it was the coolest piece of art I have seen in a long time. It's called All You Can Eat by Karine Giboulo. It's an interlocking series of pillars with windows looking into a little world where little people in jumpsuits live and raise pigs, which are then used in the production of fake chicken foods which are then consumed by these obese squirrels, the whole thing overseen by wealthy people receiving plate loads of cash. It was inspired by her visit to one of those massive factories in China where the workers live. I found it an amazingly detailed little world, where everything is connected. You get lost trying to put it all together and then too late you realize what a powerful message about consumption and our modern industrial capitalist society it is delivering. Absolutely fantastic. She's a local artist and I guess just starting out on her career (she's working on her bachelor's!?). Keep an eye out for Karine Giboulo because she kicks ass.
For those of you who live in Montreal, I strongly recommend you check it out. I heard it was there on Tuesday but I don't know how long it will last. It's in the Place des Arts, just outside the entrance to the concert hall.
One final thought about Montreal
As we came out of the church the first time, I passed a group of young people (probably high school, maybe CEGEP) sharing a bottle of wine. No bag, no effort at hiding it, drinking from the bottle and being a bit party-hardy. There were families all around. It surprised me pleasantly to see that because you would never see that in Vancouver. Not just the choice of libation, but young people drinking publicly without the cops showing up with a righteous attitude. We in the west really need to take a lesson from Quebec. Having fun is good!
I'm putting the rest of the All You Can Eat photos here, but you really do have to see it in person:
Wednesday, February 27, 2008
le presbytère où je travaille
When you learn a new language in the land of that language, you also learn a lot of other stuff. For instance, the building where I work is the presbytère of the catholic church next door. I now know that a presbytère is the place where the nuns and priests live. I don't know what the word is in english and I think the protestant faith probably has a different system (don't they have a "close" or something? All I know about that is what I learned in passing from certain Michael Gilbert books).
With the decline of the importance of the catholic church in social affairs in Quebec also comes an economic decline. The churches, whose pews are nearly empty these days, also lack funding and personnel. There are fewer priests and nuns entering the fold and less demand for the ones already there. At some point, the paroisse (the parish?), which I guess is the organizing body for each specific church, decided to use their presbytère for profit and they now rent it to several environment non-governmental organizations (NGO's). I guess they still wanted to be community-minded, which is cool.
So that is how I ended up working in a presbytère. Since one of the previous comments had mentioned that it must be nice to work in such an environment, I thought I would share it with you. Because it is nice. The interior of this building has certainly seen more glorious days. It went through some minor periods of renovation, leaving the hideous stamp of the 70s (though compared to the cheapshit renos that are done today, even the tackiest of the 70s looks kind of well-built) and has some general disrepair. The insulation sucks and the roof is barely hanging on (we had a nice inundation last spring). But it retains high ceilings, lots of tall windows, beautiful wood floors, solid oak doors and a very non-corporate feel that makes it very much a joy to come to work (it also helps to have a good job for an organization that is trying to do good in the world).
My personal favorite architectural touches here are the built-in closets (all but one of which are unfortunately painted white) made up of I believe solid oak, though it could be maple and the radiators. The large radiator in the hall really kicks ass.
I'll post some pictures below with captions. Enjoy!

Here's the building from the outside. Quite the stone block!

This is the whole "compound." It looks like the presbytère is attached, because of the tree, but they are separate buildings, though pretty close. The church itself is worth a separate post at least, because there is a lot of cool stuff going on there. One day, I'll get around to photographing the interior and the gold jesus on the front lawn.

The closet in a side hallway that is dedicated to closet space. Needs to be better organized!

The bannisters. Look at that wood glow! Is this all oak? Any ebenistes out there?

The stairs to the attic. Scary! (the attic is actually awesome, with a little trap door that keeps getting blown off. It's just way too cluttered to be able to take a picture.)

My pride and joy, the radiator. It reads "Safford Patent" and underneath "RD 1898". That thing is 110 years old!

Finally, one of the hideous lamps. It's that unholy alliance between organized religion and the 70s that left such frightening images in my young psyche. I sure would love to have seen the lamps that were here originally.
I've been working here for just under 2 years and in the first 6 months, there was one priest living in the building. I never saw him. His apartment was accessed by a separate entrance and though there was an adjoining door between our hallway and his place, it was never opened. I didn't see the space until after he had left and they rented the space out to another organization. It had a very '70s lonely old man look to it.
With the decline of the importance of the catholic church in social affairs in Quebec also comes an economic decline. The churches, whose pews are nearly empty these days, also lack funding and personnel. There are fewer priests and nuns entering the fold and less demand for the ones already there. At some point, the paroisse (the parish?), which I guess is the organizing body for each specific church, decided to use their presbytère for profit and they now rent it to several environment non-governmental organizations (NGO's). I guess they still wanted to be community-minded, which is cool.
So that is how I ended up working in a presbytère. Since one of the previous comments had mentioned that it must be nice to work in such an environment, I thought I would share it with you. Because it is nice. The interior of this building has certainly seen more glorious days. It went through some minor periods of renovation, leaving the hideous stamp of the 70s (though compared to the cheapshit renos that are done today, even the tackiest of the 70s looks kind of well-built) and has some general disrepair. The insulation sucks and the roof is barely hanging on (we had a nice inundation last spring). But it retains high ceilings, lots of tall windows, beautiful wood floors, solid oak doors and a very non-corporate feel that makes it very much a joy to come to work (it also helps to have a good job for an organization that is trying to do good in the world).
My personal favorite architectural touches here are the built-in closets (all but one of which are unfortunately painted white) made up of I believe solid oak, though it could be maple and the radiators. The large radiator in the hall really kicks ass.
I'll post some pictures below with captions. Enjoy!
Here's the building from the outside. Quite the stone block!
This is the whole "compound." It looks like the presbytère is attached, because of the tree, but they are separate buildings, though pretty close. The church itself is worth a separate post at least, because there is a lot of cool stuff going on there. One day, I'll get around to photographing the interior and the gold jesus on the front lawn.
The closet in a side hallway that is dedicated to closet space. Needs to be better organized!
The bannisters. Look at that wood glow! Is this all oak? Any ebenistes out there?
The stairs to the attic. Scary! (the attic is actually awesome, with a little trap door that keeps getting blown off. It's just way too cluttered to be able to take a picture.)
My pride and joy, the radiator. It reads "Safford Patent" and underneath "RD 1898". That thing is 110 years old!
Finally, one of the hideous lamps. It's that unholy alliance between organized religion and the 70s that left such frightening images in my young psyche. I sure would love to have seen the lamps that were here originally.
I've been working here for just under 2 years and in the first 6 months, there was one priest living in the building. I never saw him. His apartment was accessed by a separate entrance and though there was an adjoining door between our hallway and his place, it was never opened. I didn't see the space until after he had left and they rented the space out to another organization. It had a very '70s lonely old man look to it.
Tuesday, February 12, 2008
le givre
Monday, February 11, 2008
Carbon Neutral Move
So we're moving. We are part of the horde of yuppies turning Mile End from an old working class portuguese neighbourhood to the new SOHO of Montreal (I've already seen two new baby stores opening up, a sure sign of the apocalypse). I speak partly in jest, as we are literally moving one block north, across the border of avenue Mont-Royal, which puts us at the very bottom of Mile End. The difference is that we are now owners rather than renters.
Among the many positive aspects of this Step to Maturity, the one I am most excited about is the possible opportunity to make this move entirely by hand. I am a bit obsessive about moving and quite good at it and I have found that hiring people can be very hit or miss. Our rent is so cheap that we can afford to keep our current place for a month and take the time to move slowly. I don't have the kind of competent friends here that I would have in the West Coast (the kind of men who synchronize their watches with the CBC time signal when they hear it), so I am kind of on my own. Not that my friends here aren't competent, but I haven't known them long enough to feel comfortable to ask them to help me move. Though one couple already offered to help with painting or borrowing a car, demonstrating the natural generosity and hospitality of the Québécois.
So I've borrowed a hand truck from work and we are slowly going about boxing non-essential things. I spent this weekend rolling them up the block, through blowing snow, carrying them up the stairs, unpacking everything and then taking the empty boxes back home. I was feeling a bit like a crazy person and suffering from the deeply-ingrained bourgeoisie instincts of guilt when not spending money and doing things like everybody else.
On Sunday morning, on my first run, as I was dragging the heavily-laden handtruck over the small mountains of snow between the sidewalk and the street (it's easier to push the handtruck along the cars' wheel tracks which tend to be clear of snow), I encountered a red-cheeked, older man in an old coat and toque with earflaps. He immediately recognized what I was doing and told me that he had once moved with only a hand truck. The distance between his old place and new one was a lot longer than mine and required 10 trips. We walked up the street together, discussing moving and what a privilege it was to be able to take your time when you move. "C'est une grande luxe de démenager tranquillement. Une grande luxe!" When we parted ways, he gave me a pat on the back and I felt like I had received both social acceptance for my behaviour and a small blessing. The guy was old school Montreal and looked a bit like a friendly gnome and I wondered if he hadn't been sent by the city itself as a reminder that despite the yuppies that swarm the Provigo in their new cars, this is still a working man's town at the core and doing things by hand the cheap way is accepted and approved.
Among the many positive aspects of this Step to Maturity, the one I am most excited about is the possible opportunity to make this move entirely by hand. I am a bit obsessive about moving and quite good at it and I have found that hiring people can be very hit or miss. Our rent is so cheap that we can afford to keep our current place for a month and take the time to move slowly. I don't have the kind of competent friends here that I would have in the West Coast (the kind of men who synchronize their watches with the CBC time signal when they hear it), so I am kind of on my own. Not that my friends here aren't competent, but I haven't known them long enough to feel comfortable to ask them to help me move. Though one couple already offered to help with painting or borrowing a car, demonstrating the natural generosity and hospitality of the Québécois.
So I've borrowed a hand truck from work and we are slowly going about boxing non-essential things. I spent this weekend rolling them up the block, through blowing snow, carrying them up the stairs, unpacking everything and then taking the empty boxes back home. I was feeling a bit like a crazy person and suffering from the deeply-ingrained bourgeoisie instincts of guilt when not spending money and doing things like everybody else.
On Sunday morning, on my first run, as I was dragging the heavily-laden handtruck over the small mountains of snow between the sidewalk and the street (it's easier to push the handtruck along the cars' wheel tracks which tend to be clear of snow), I encountered a red-cheeked, older man in an old coat and toque with earflaps. He immediately recognized what I was doing and told me that he had once moved with only a hand truck. The distance between his old place and new one was a lot longer than mine and required 10 trips. We walked up the street together, discussing moving and what a privilege it was to be able to take your time when you move. "C'est une grande luxe de démenager tranquillement. Une grande luxe!" When we parted ways, he gave me a pat on the back and I felt like I had received both social acceptance for my behaviour and a small blessing. The guy was old school Montreal and looked a bit like a friendly gnome and I wondered if he hadn't been sent by the city itself as a reminder that despite the yuppies that swarm the Provigo in their new cars, this is still a working man's town at the core and doing things by hand the cheap way is accepted and approved.
Monday, December 03, 2007
Snow Day!
I've been very absorbed in school and work and life so it wasn't until last week that I started really thinking about the winter. Last year was so mild and what with all the global warming, I was anticipating a few weeks of hassle here and there and some basic bundling up. I happened to read an article in Le Journal about how it was supposed to be a really cold and snowy winter in Quebec this year. Then all of a sudden everybody seems to be talking about it. It's Canada-wide! And a few days later we get a nice dump and all kinds of alarmist media reports about 40cm on Vancouver island and storms across the nation. Excellent.
I like talking and thinking about the weather, but the media reports really get me ranting. I totally understand how we want to see images of lots of snow in other parts of the country, but please leave off the tone of concern and seriousness. It's winter. We live in Canada. It snows. Why is this news? Just show it to us and give us the details. Stop with the retarded man in the street interviews where some guy tells us how he's having a hard time getting to work. Take the bus you loser!
What they should do is have a team that goes around and finds the best and worst shoveled households and compare them. The old Italian and Portuguese dudes in my neighbourhood are most impressive. I mean some of these guys are old. And they come from mediterranean countries. But they are out there early, and their work is thorough and symmetrical. They even sweep the ground after, even when it's still snowing. That's commitment (and retirement).
I don't if it's because I'm in the heart of the city or just the general collapse of civilization, but it seems like the rest of the people have become incredibly lazy and half-assed about cleaning their walks and drive ways. Perhaps out in the countries and the burbs, you have the kind of heart and character that used to define this great nation. But here, you see spiral stairs a foot deep in snow with a little trail of boot tracks in the middle of it. Get up and clean the whole thing off, you lazy whippersnappers. Are we all so used to the city to rushing out with their gas-powered machines and carrying the snow away that we expect it to be done for our own homes as well?
I think we should get rid of the plows altogether and have a law that everyone is responsible for shovelling within their property line, projected halfway out into the street. Then when it snows like this, we'd all take the morning off, come out onto the streets together and shovel. The cols bleus, could be responsible for the highways and larger roads, as well as bringing hot chocolate to the neighbourhoods. The mayor would make spot checks and the cleanest streets would get a small tax break and have their picture in the newspaper. It'd be great for the environment, great for community spirit and keep people in better shape.
I like talking and thinking about the weather, but the media reports really get me ranting. I totally understand how we want to see images of lots of snow in other parts of the country, but please leave off the tone of concern and seriousness. It's winter. We live in Canada. It snows. Why is this news? Just show it to us and give us the details. Stop with the retarded man in the street interviews where some guy tells us how he's having a hard time getting to work. Take the bus you loser!
What they should do is have a team that goes around and finds the best and worst shoveled households and compare them. The old Italian and Portuguese dudes in my neighbourhood are most impressive. I mean some of these guys are old. And they come from mediterranean countries. But they are out there early, and their work is thorough and symmetrical. They even sweep the ground after, even when it's still snowing. That's commitment (and retirement).
I don't if it's because I'm in the heart of the city or just the general collapse of civilization, but it seems like the rest of the people have become incredibly lazy and half-assed about cleaning their walks and drive ways. Perhaps out in the countries and the burbs, you have the kind of heart and character that used to define this great nation. But here, you see spiral stairs a foot deep in snow with a little trail of boot tracks in the middle of it. Get up and clean the whole thing off, you lazy whippersnappers. Are we all so used to the city to rushing out with their gas-powered machines and carrying the snow away that we expect it to be done for our own homes as well?
I think we should get rid of the plows altogether and have a law that everyone is responsible for shovelling within their property line, projected halfway out into the street. Then when it snows like this, we'd all take the morning off, come out onto the streets together and shovel. The cols bleus, could be responsible for the highways and larger roads, as well as bringing hot chocolate to the neighbourhoods. The mayor would make spot checks and the cleanest streets would get a small tax break and have their picture in the newspaper. It'd be great for the environment, great for community spirit and keep people in better shape.
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